Promotion is a necessary part of the writing life. No matter how much you may cringe at 'blowing your own horn', it is something that must be done. While much of today's focus is on cyber marketing, good old fashioned public appearances are another important part of the mix. I mentioned last week that I had a few promotional events planned for the summer, including two book readings. The first was at a beautiful book store - McNally Robinson in Saskatoon, SK which I blogged about briefly last Tuesday. The second, pictured here, was in a small local library in Assiniboia, SK. In both cases, it was important to make a connection with the audience, no matter how large or small the size of the crowd. How do you go about doing this?
First of all, I think it is important to make the audience feel at ease. I like to think that I am a down to earth person and it's important that I communicate this to the audience. I like to start with a little humor - perhaps a personal anecdote that fits, as well as a brief introduction to who I am, where I'm from and why I write. This should be short and at the level of the audience. For instance, if you were addressing a University alumni, you might wish to focus more on your formal credentials, while a 'home town' crowd is more interested in personal info.
Introduce the reading you have chosen, setting it up if necessary. Keep the reading itself short. It is better to have them wanting more than wishing you would stop. After that, be prepared for questions. At the first reading I did this summer, the questions just kept coming! There were all kinds of queries from how I got published, how to write a query, to things about the books themselves. During the second reading in Assiniboia, I actually had to do some improvising in order to get the audience to open up. Nobody had any questions, so I simply offered some info that I thought might be interesting, such as what inspired me to write the particular book I read from. After a few minutes people started to open up more and began asking questions. It really depends on the people themselves, so it is important to be prepared for any circumstance.
After the formal question and answer time is over, invite further discussion on a one on one basis. This allows those that wish to 'escape' to do so comfortably, while those that have more questions can come and talk to you. If no one approaches you, then you should approach them. Being friendly sells books. :) Also, having something like free bookmarks is a nice way to invite dialogue.
Basically, a successful reading event calls for some down to earth interaction with those that have honored you by attending. I have heard of reading events where the author tried to put themselves on a pedestal, as if they were 'above' those who had come to listen. Unless you are a New York Times best selling author, I can't see how this could be beneficial. In fact, I don't see it being a good thing even for those elite writers who have made it big. People like honesty. They like to see that they have something in common with you, the writer, and will then want to read what you've written. This is what makes for a successful reading event in my mind - no matter how many copies of your book are sold.
Thanks for your sage advice on this and your other book reading/signing event, Tracy. I just set up another booksigning today and hope to several more so these points will come in handy.
ReplyDeleteGlad you found something worthwhile here, Rose
ReplyDeleteOh, yes, I wholeheartedly agree, events are of paramount importance. Nothing can replace the personal interaction I have with kids and parents. My yearly events range from local visits to mega book festivals and conventions in neighboring states.
ReplyDeleteThere are times when the event doesn't seem profitable in terms of sles, but I think any exposure is worth it in the long run.
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